Saturday, October 1, 2011

Curvilinear Paintings and Drawings, 2003-2010


Diagnosis II: Crumbling Castles
Acrylic on Canvas, 2010

Augury I
Mixed Media on Paper, 2007
  
Untitled
Mixed Media on Paper, 2007

Gathering Clouds
Mixed Media on Paper, 2007
Dots, Lines, and Dashes
Mixed Media on Paper, 2007
Curvilinear with Bird
Mixed Media on Paper, 2007
Butterfly
Mixed Media on Paper, 2007
Sleeping Woman
Mixed Media on Paper, 2007

Augury II
Mixed Media on Paper, 2007

Why this inclination towards the curvilinear in my work? After my parents passed away I began learning more about my ancestry and realized my Celtic roots might have something to do with it. Frank Delaney in The Celts describes Celtic art in the following, "the deepest basis of Celtic art grew from a primordial dependence upon the natural life experienced in the emergent Europe north of the Alps, east of, and along the Danube Valley - or, come to that, in the sloping fields of what is now Herfordshire, or Northumbria, or Wicklow. The early motifs showed great consistency of pattern, geometric, angular shapes, concentric circles, whorls, lozenges, revolving spirals, chevrons, cross-hatched repeating patterns - mechanical, auto-suggested means of filling a blank space on a pot. Later, the images of small creatures begin to materialise, swans, ducks horses: on the lid of a Hallstatt bucket, a goat, a sphinx, a lion, a deer...to the Greeks a spiral is a spiral and a face is a face and it is always clear where the one ends and the other begins, whereas the Celts 'see' the faces 'into' the spirals or tendrils."

Wikipedia paraphrase - Like nature itself, Celtic art abhorred a straight line, pushed organic influences - observed in trees, plants, water, the earth - to deliciously abstracted infinity. In Celtic art there is no beginning, no middle, no end as it ultimately becomes its own inner world through freedom of movement.

































































Sunday, September 18, 2011

The Fishermen of Naxos


 Journal Excerpt - May 19, 1976 - The Fishermen of Naxos
 
During our first night on Naxos, the largest and most fertile island in the Cyclades, there was a shadow over the lower right side of the moon and, having left a love back home, I couldn't help but wonder if it looked that way in California. At the time, I considered it an omen for me and my travel companion that some intriguing events were about to unfold.

We had only been traveling for two months but had already been on fourteen boats, not counting an eight-day cruise aboard the Leonard Da Vinci www.thegreatoceanliners.com/leonardodavinci.html which had transported us from New York to Naples for a student fare of two-hundred and fifty dollars. Especially memorable were our fellow passengers, three full Italian meals per day served by handsome Italian waiters, magnificent on deck views of the Atlantic, and a surprising encounter with David Bowie which is another story.

Alot had happened to us before we'd arrived on Naxos but we had yet to be taken out on a boat by Greek fishermen. Initially, I had serious concerns about being on the Mediterranean with Greek men as I had already witnessed the fine art of kamaki and was reading Zorba the Greek by Kazantzakis. My imagination was running wild as usual and my mother had successfully instilled a cautionary sense in me. But, after a week spent getting acquainted with the locals we accepted an invitation to go fishing off Apollon, located at the northernmost tip of the island.  In a few days, we were helped aboard a brightly painted boat and greeted by four other American women. There was Mary, an energetic blonde, and Patty, whose contagious laughter came easily and often. Then, we met Heidi from Seattle who was heartbroken having returned to Naxos, after a three year absence, in search of her old lover, Nikitis, who no longer lived there. And, finally, we were introduced to Jackie, torn between accepting a scholarship at Smith or remaining on the island with her lover, Niko. It was his boat and since I had already observed the inherent sensuality of Greek men, I could easily empathize with Jackie's difficult decision.

Our boat drifted lazily through limpid, turquoise waters as seagulls caught our breeze off the stern and floated effortlessly there as though anxiously awaiting an opportunity to scoop up fish with their pointy little beaks. Time passed quickly and before long Niko set anchor off a private cove where deep golden light illuminated the sculpted white rock emerging fearlessly into translucent water. It was growing warmer so the men removed their shirts and began to busily prepare the day's catch. The rest of us shared a bottle of retsina and joined together in an exuberant toast to Bacchus, god of wine, who Heidi explained had married Ariadne after being forsaken by Theseus on Naxos. Respectful of her recent disappointment, we all grew silent until Mary opened a jar of olives and we quickly resumed our lively conversation.

Meanwhile, Niko and the other four fishermen were preoccupied with bundling up sticks of dynamite. We stared in amazement as they heaved them into quiescent waters causing them to explode one by one, each time spraying up a fountain of water only a few feet from our boat. Dozens of fish instantly rose to the surface, their silver bodies glistening in the late morning sun. Were they dead or merely stunned? We tried to convince ourselves that the survivors would regain consciousness and return safely to the pristine depths. In retrospect, we were quite naive. Two of the men hauled in a huge net, trapping the fish, open-eyed, their slippery wet skin causing a pungent, yet oddly intoxicating odor to permeate our boat combined with coconut oil, the sweat of the fishermen, and the sweet ambrosia of spring.

We watched with curiosity as the men scraped off the scales then cut behind the gills to clean out the innards. Next, a final slice down the middle to extract the entrail. After this process was completed, we gathered up our things then climbed to a spectacular site overlooking the vast Aegean Sea, a proud and dazzling gem, stretching endlessly before us. Soon the men started heating the coals and everyone pitched in at their own pace. I offered to help Patty with the task of peeling potatoes and she quietly advised me to remove the brown spots or Niko would throw them out. It struck me as ironic that such a culinary detail would concern the same person who had just overwhelmed us with his pyrotechnics. But, what eventually resulted was a delicious feast of fresh fish, potato stew, bread, cheese, more retsina and Citro, a lemon-flavored liqueur that made us pleasantly high and grateful the next morning that we had learned from the Greeks to always include food with our drinks. We happily spent the afternoon telling stories and singing songs, light years away from earthly responsibilities back home.

Later that evening, we reunited with everyone for a fiesta at Niko's favorite taverna where he danced like a madman as waiters served him shots of ouzo from a well worn tray. Entranced, we watched as with one quick motion he'd toss the liquor back then, with dark eyes burning, he'd bite into the glass and slam the broken remains down on the tray. Each time, he'd hit the bottom of the tray with his palm sending the glass flying through the air then crashing noisily to the ground. Jackie watched her lover with a resolute expression of desire and frustration as blood dripped from the corner of his mouth. This time, I remember thinking, history will reverse itself and Ariadne will abandon Theseus.

It was our last night on Naxos and only a half moon was visible as the haunting strains of a violin accompanied by a santouri and lyra filled the sultry night air. As the sky slowly darkened, we celebrated these fleeting, new found friendships, our parea, with shots of ouzo and apple slices. Then, we danced through the star filled night around and around, our sunburned arms holding each other up, our young hearts desperately hoping  the music would never end.

Friday, September 16, 2011

Mykonos

Watercolor on Paper, 1976

Painting - I was inspired by the stark white architecture in contrast to the bluest waters I've ever seen.

Journal Excerpt - May 8, 1976
      We've been in Greece a week now. This island is beautiful. Narrow winding streets, cobblestones. So much white its blinding. The God of Apollo rides in the wind and water; bathes us with light. Paradise and Super Paradise! Nude beaches. Exercise, sun and more exercise. Not very much food these days. Quite a change from Italy. Warm spring nights; the fading smell of tanning lotion and other spring nights filled with a lover's smile. Barbecues and being waiting on like a queen. I must wait on myself these days. Feel my own bones.Get stronger.
     I could lose reality here; mesmerized as the windmills turn gently with the breeze. White cloth flapping like a sail, held fast, forever turning. The old Greeks singing out their wares as they lead a donkey overladen with hanging baskets through the narrow streets. Onions and spinach leaves are about all they have to offer-not much fruit here. We've been eating with thirst the sweet oranges and Greek salads for dinner. Last night we went to Spiro's (on the water) and had octopus. I enjoyed it as I never thought I would. Ah yes-do as the natives do.
     Our place is nice. Hot shower, sundeck and quite clean with maid service. It amazes me that these people work so hard as it amounts to only $1.50 per night for a room. They're constantly white washing and scrubbing. A bit more standoffish than the Italians.
 
Mykonos

From our balcony over the Adriatic
I watch a black cat's shadow creeping slow
hovering and sliding against white stone
as a meteor falls out of the sky

I watch it move stealthily as an apparition
over broken cobblestones until it stops
to arch its back then howls an ominous
haunted song

This spectral creature cast a spell over me

And I remember a town now far away and
long forgotten where a black cat crossed
my path and before I could move to the
other side I broke my sandal strap.

     Yesterday May 7th we sent alot of postcards and letters out. Another desperate attempt to get mail in Athens.

Thursday, September 15, 2011

A Train Ride to the Ancient Greek City of Selinunte on the Coast of Sicily, Italy


Journal Excerpt - April 22, 1976

The train ride to Selinunte, an ancient Greek city located on Sicily's southern coast, was quiet - we read most the way. When we got off the train people stared and several men attempted to find us hotel rooms. Finally, with no luck, we decided to return to the station and wait for the next train, frustrated with full bladders.

Suddenly, a girl came running up to us yelling, "Selinunte! Selinunte!" We both shook our heads as she and the people with her helped us into their car. We told them we wanted to stay in a 'pensione economique' which turned out to be their home and an incredible experience.

They treated us with such hospitality, as if they'd known us all their lives - a mother, father, sister, brother, and two friends. We were well fed and well cared for, "Mangia! Mangia!" they kept saying.

Cetty puzzles me and Nicholas amuses - he's so full of life and mischief and, unlike his sister, seems to have been allowed more space to explore himself.

After having talked to Cetty (we had been hoping to find an Italian woman to ask questions about the men and their attitudes). We learned that it is highly expected that the woman be a virgin when she's married and, afterwards, should the man choose to go out with other women the wife may often excuse this behavior in her own often by simply acknowledging that, "He's an egotist!"

The man's job is usually one of financial support and the woman's of child support. Not to say that the man isn't a good father or the woman a good worker but rather that their established roles are usually accepted.

Our trip to the visit the archeological site of Selinunte's ancient, stone walled temples was a highlight of our travels. It's so undeveloped you can really get the feeling of what it must have been like more than two and half thousand years ago. Wildflowers were growing everywhere and seeing these monuments situated by the sea was extraordinary.

April 23, 1976

The train ride from Selinunte was beautiful. The hills rolling magestically in green, brown, darks blending with lights. And, flowers everywhere! The small flowers covering the hillside were the most lovely and came in variations of yellow, purple, blue, and red all blending together to make a family. I'm glad now we came to Sicily and our course seems to make sense; having come from Naples - down around the boot. And, we kicked the boot!

Sicilians are a proud people and it is important that they distinguish for the visitor that there is a difference between Italy and Sicily which they regard as a separate country with its own language, attitudes and, in some ways, lifestyle. Of course, the north and south retain their animosity towards one another in a more class conscious way.

I found it interesting to observe the small town train stations. Oftentimes, people on the trains will hang out the windows to ask for 'aqua' from a nearby pump, to talk to those standing in the station or, as happened yesterday, to purchase food, i.e., the man who bought some sweet smelling onions.

The train yesterday was only two cars; no one bothered us and we were left to gaze in wonder at the magnificent scenery rolling past us in glorious colors.

The bus ride up into Agrigento is one I shall never forget as we were the only women among a few middle-aged, and quite jolly, men. English music was blaring and Italian words flying around accompanied by the usual disorganized chaos but we finally got there.

I cleaned out my art supplies - in the plastic bag where I keep them. Charcoal and purple paint had made quite a mess and made me realize that I must start my artwork again.

Sicilia in the springtime is graced with the smell of flowers, air pure with the gaiety of children's voices. But, in some ways it is special, holding an old world flavor to be equaled in no other place. While riding the trains or even in the busy sections of towns (ie., Agrigento) it is not uncommon to see the old men with their donkeys laden down - carrying goods from the farms to the markets. Everything is so green + fertile.
 
I would have to say the 'real' Italy for me began as the train pulled onto the ferry and we made our way across the Strait of Messina  to what was about to be the most enlightening part of our journey.

Sunday, September 11, 2011

The Souls of September

 

Mixed Media on Canvas, 2001



 Exhibition: 2002, REACTIONS, Global 911 Project, Exit Art/The First World Gallery, New York, NY 

Wednesday, September 7, 2011

Paris Landscape


View over weathered bookstall, Paris, France, 2001

I was interested in capturing this unusual perspective of a seemingly
bleak, rugged terrain leading towards the Eiffel Tower.


Sunday, September 4, 2011

Figurative Paintings and Drawings, 2009



Intruders
Graphite on Paper, 2009
Untitled
Watercolor and Ink on Paper, 2009
The Faithful
Mixed Media on Paper, 2009
Untitled
Watercolor and Ink on Paper, 2009
Untitled
Watercolor and Graphite on Paper, 2009
American Dream
Graphite and Crayon on Paper, 2009




The Last Tower
Acrylic on Board, 2009
Resilient Nature
Watercolor on Paper, 2009
Tipping Point
Mixed Media on Paper, 2009